“You
are the multidimensional self who has these existences, who creates and
takes part in these cosmic passion plays, so to speak. It is only
because you focus in this particular role now that you identify your
entire being with it. You have set these rules for yourself for a
reason. And consciousness is in a state of becoming, and so this
multidimensional self of which I speak is not a psychological structure
completed and done with. It is also in a state of becoming.
"It
is learning the art of actualization. It has within it infinite sources
of creativity, unlimited possibilities of development. But it has yet
to learn the means of actualization, and must find within itself ways to
bring into existence those untold creations that are within it.
"Therefore
it creates varieties of conditions in which to operate, and sets itself
challenges, some doomed to failure in your terms, at least initially,
because it must first create the conditions which will bring new
creations about. And all of this is done with great spontaneity and
unbounded joy.
"You
therefore create far more environments than you realize. Each actor,
going about the role, focused within the play, has an inner guide line.
He is not left, therefore, abandoned within a play that he has forgotten
in his own creation. He has knowledge and information that comes to him
through what I call the inner senses.
"He
has other sources of information, therefore, than those strictly given
within the confines of the production. Each actor knows this
instinctively, and there are periods set and allowed for within the play
itself in which each actor retires in order to refresh himself. In
these he is informed through the inner senses of his other roles, and he
realizes that he is far more than the self appearing in any given play.
"In
these periods he understands that he had his hand in the writing of the
play, and he is freed from those assumptions that bind him while he is
actively concerned with the drama’s activities. These periods, of
course, coincide with your sleep states and dreaming conditions; but
there are also other times when each actor sees quite clearly that he is
surrounded by props, and when his vision suddenly pierces the seeming
reality of the production.
"This
does not mean that the play is not real, or that it should not be taken
seriously. It does mean playing a role — an important one. Each actor
must of himself realize, however, the nature of the production and his
part in it. He must actualize himself out of the three-dimensional
confines of the play’s setting.”
—Seth, Seth Speaks: The Eternal Validity of the Soul, Session 521, March 30, 1970
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